If you have to place them within three feet of the front wall, I suggest diffusing the output of the rear-firing drivers. I suggest locating the speakers at least five feet out in front of the wall if possible, and three feet minimum. They arguably can do a better job of presenting the acoustic signature of the recording venue, as opposed to the "small room signature" of the playback room, but adequate distance from the wall behind them matters a lot. Set up correctly, bipolars can convey rich timbre and do a good job of disappearing as the apparent sound source. I have no experience specifically with Definitive Technology speakers but I have designed and manufactured bipolar loudspeakers. If memory serves the BiPolar sound is best set up using a live end/dead end approach.Use acoustic treatments in corners behind speakers,at first reflection point in front(about 45 degrees out maybe 24") & kill ANY & ALL echo in the room.Treat the wall beside & behind your listening position almost completely(full width heavy drapes or movers blankets work well).You want all the signal & sound coming from the speakers & area around them,not from beside or behind you.Also if you don't or haven't recently,listen to LIVE UNAMPLIFIED music to refresh or educate yourself as to what real music sounds like.It's much easier to set up a system when you have a baseline target.Best of luck & enjoy the music!
DEFINITIVE TECHNOLOGY BP 2000 SPECS FULL
Hummm,lets see it's been maybe 25 years since I've heard Def Tech BP's.First although your Denon is rated receivers are notorious for NOT actually putting that much power out on a continuous basis.By separating the already amped bass from the upper section you will free up the amp to breath better as it is not trying to provide a full range signal.
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